{"id":867,"date":"2015-03-25T22:53:26","date_gmt":"2015-03-25T22:53:26","guid":{"rendered":"https:\/\/www.lalouver.com\/journal\/index.php\/2015\/03\/25\/the-painting-of-these-optical-elements-is-by\/"},"modified":"2025-09-07T15:23:16","modified_gmt":"2025-09-07T15:23:16","slug":"the-painting-of-these-optical-elements-is-by","status":"publish","type":"post","link":"https:\/\/www.lalouver.com\/journal\/the-painting-of-these-optical-elements-is-by","title":{"rendered":"We\u2019re only two weeks away from the opening of Lone Star"},"content":{"rendered":"\n<figure class=\"wp-block-gallery has-nested-images columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;69d3146c502ef&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"69d3146c502ef\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"680\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"868\" src=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/03\/tumblr_nlsi923Idt1r7s5hko1_1280-1024x680.jpg\" alt=\"\" class=\"wp-image-868\" srcset=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/03\/tumblr_nlsi923Idt1r7s5hko1_1280-1024x680.jpg 1024w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/03\/tumblr_nlsi923Idt1r7s5hko1_1280-300x199.jpg 300w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/03\/tumblr_nlsi923Idt1r7s5hko1_1280-768x510.jpg 768w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/03\/tumblr_nlsi923Idt1r7s5hko1_1280.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Enlarge\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"state.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/figure>\n\n\n\n<p>\u201cThe painting of these optical elements is, by necessity, futile, regardless of whether they are painted by Jan Davidszoon de Heem or by me. Even a trompe l'oeil rendering of light reveals itself to be a viscous smear of dirt when carefully inspected. But rather than a fault of painting, this incapacity to represent that which cannot be represented despite efforts to do so is at the very heart of what makes a painting into a work of art, and it also what gives a painting its strength and its tenderness. Art is truest when it is, both, convincing and revelatory of the artifice.\u201d<\/p>\n\n\n\n<p>- Enrique Mart\u00ednez Celaya, excerpt from <i>On Lone Star (1<\/i>), 2015<\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p>We\u2019re only two weeks away from the opening of <i>Lone Star<\/i>, an exhibition of new work&nbsp;<a href=\"http:\/\/lalouver.com\/html\/artist.cfm?tArtist_id=294\">Enrique Mart\u00ednez Celaya<\/a>. Including paintings, sculptures and installations, the works will be presented in all of the gallery spaces. In complement, the artist has written three texts to accompany this body of work. Above is an excerpt from <i>On Lone Star (1)<\/i>, an extensive examination on the artist\u2019s chosen themes and imagery. <a href=\"http:\/\/www.martinezcelaya.com\/journal.html\">Click here<\/a> to read Mart\u00ednez Celaya\u2019s complete writings, as well as further journal entries.<\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p><a href=\"https:\/\/www.facebook.com\/events\/277807329056378\/\">Enrique Mart\u00ednez Celaya: <\/a><i><a href=\"https:\/\/www.facebook.com\/events\/277807329056378\/\">Lone Star<\/a> <\/i>opens at L.A. Louver on Thursday, April 9, 2015.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThe painting of these optical elements is, by necessity, futile, regardless of whether they are painted by Jan Davidszoon de Heem or by me. Even a trompe l&#8217;oeil rendering of light reveals itself to be a viscous smear of dirt when carefully inspected. But rather than a fault of painting, this incapacity to represent that [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":868,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-867","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-uncategorized","post_format-post-format-gallery"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\r\n<title>We\u2019re only two weeks away from the opening of Lone Star - L.A. Louver - Journal<\/title>\r\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\r\n<link rel=\"canonical\" href=\"https:\/\/www.lalouver.com\/journal\/the-painting-of-these-optical-elements-is-by\" \/>\r\n<meta property=\"og:locale\" content=\"en_US\" \/>\r\n<meta property=\"og:type\" content=\"article\" \/>\r\n<meta property=\"og:title\" content=\"We\u2019re only two weeks away from the opening of Lone Star - L.A. Louver - Journal\" \/>\r\n<meta property=\"og:description\" content=\"\u201cThe painting of these optical elements is, by necessity, futile, regardless of whether they are painted by Jan Davidszoon de Heem or by me. Even a trompe l&#039;oeil rendering of light reveals itself to be a viscous smear of dirt when carefully inspected. 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