{"id":591,"date":"2015-10-12T19:05:46","date_gmt":"2015-10-12T19:05:46","guid":{"rendered":"https:\/\/www.lalouver.com\/journal\/index.php\/2015\/10\/12\/douglas-messerli-the-moment-before-they-became\/"},"modified":"2025-09-17T11:57:53","modified_gmt":"2025-09-17T18:57:53","slug":"douglas-messerli-the-moment-before-they-became","status":"publish","type":"post","link":"https:\/\/www.lalouver.com\/journal\/douglas-messerli-the-moment-before-they-became","title":{"rendered":"Douglas Messerli | \u201cThe Moment Before They Became History\u201d (on Charles Garabedian\u2019s Sacrifice for the Fleet)"},"content":{"rendered":"\n<figure class=\"wp-block-gallery has-nested-images columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;69d2d069aa61e&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"69d2d069aa61e\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1179\" height=\"1766\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"592\" src=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/10\/tumblr_nw4fpmhoZt1r7s5hko2_1280.jpg\" alt=\"\" class=\"wp-image-592\" srcset=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/10\/tumblr_nw4fpmhoZt1r7s5hko2_1280.jpg 1179w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/10\/tumblr_nw4fpmhoZt1r7s5hko2_1280-200x300.jpg 200w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/10\/tumblr_nw4fpmhoZt1r7s5hko2_1280-684x1024.jpg 684w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/10\/tumblr_nw4fpmhoZt1r7s5hko2_1280-768x1150.jpg 768w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/10\/tumblr_nw4fpmhoZt1r7s5hko2_1280-1025x1536.jpg 1025w\" sizes=\"auto, (max-width: 1179px) 100vw, 1179px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Enlarge\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"state.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/figure>\n\n\n\n<p><a href=\"http:\/\/www.lalouver.com\/html\/exhibition.cfm?tExhibition_id=1171\">Charles Garabedian \u2013 7 October - 8 November, 2015<\/a><\/p>\n\n\n\n<p>Writer Douglas Masserli recently reviewed the <a href=\"http:\/\/www.lalouver.com\/html\/exhibition.cfm?tExhibition_id=1171\">Garabedian show<\/a> in <a href=\"http:\/\/artla-bas.blogspot.com\/2015\/10\/douglas-messerli-moment-before-they.html\">his blog ART L\u00e0-bas<\/a>. Here\u2019s some of his insight on how <a href=\"http:\/\/lalouver.com\/garabedian\">Garabedian<\/a>\u2019s art situates at the intersection of history and contemporary dialogues:<\/p>\n\n\n\n<p>Garbedian\u2019s art is filled with contemporary \u201ctakes\u201d on these epic-works in a way that does not truly demand a full knowledge of all Classical literature or, in the case of his The Good Thief (2015), does not require that one has recently read the literature of Christ\u2019s death upon the cross. Indeed, Garebedian\u2019s often sexually amorphously fleshy figures seem almost to be \u201caccidentally\u201d acting out their epic deeds against the background of a slightly kitsch, California landscape set in the late 1960s or early 1970s, when certain figures dressed in wildly colored, geometrically patterned wraps and outfits that seem more an home in a Malibu exercise class than upon the blue islands of the Aegean Sea. In his introduction to the show\u2019s accompanying catalogue, Ed Shad describes the phenomenon: \u201c[Garbedian\u2019s characters] not only arrive as recurring motifs of literature, as many writers have observed, but they also arrive in a different way, as a part of a Mediterranean legacy of art. However Garabedian transfigures this legacy through the bizarre mirror that Los Angeles holds up to the ancient world.\u201d<\/p>\n\n\n\n<p>To read more about Douglas Masserli\u2019s review on other works, <a href=\"http:\/\/artla-bas.blogspot.com\/2015\/10\/douglas-messerli-moment-before-they.html\">visit his blog here<\/a>.&nbsp;To read more about Ed Shad\u2019s take on the show, order a copy of the Garabedian show catelogue online \u2013 <a href=\"http:\/\/shop.lalouver.com\">shop.lalouver.com<\/a> or at the gallery.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Charles Garabedian \u2013 7 October &#8211; 8 November, 2015 Writer Douglas Masserli recently reviewed the Garabedian show in his blog ART L\u00e0-bas. Here\u2019s some of his insight on how Garabedian\u2019s art situates at the intersection of history and contemporary dialogues: Garbedian\u2019s art is filled with contemporary \u201ctakes\u201d on these epic-works in a way that does [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7046,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-591","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-uncategorized","post_format-post-format-gallery"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\r\n<title>Douglas Messerli | \u201cThe Moment Before They Became History\u201d (on Charles Garabedian\u2019s Sacrifice for the Fleet) - L.A. Louver - Journal<\/title>\r\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\r\n<link rel=\"canonical\" href=\"https:\/\/www.lalouver.com\/journal\/douglas-messerli-the-moment-before-they-became\" \/>\r\n<meta property=\"og:locale\" content=\"en_US\" \/>\r\n<meta property=\"og:type\" content=\"article\" \/>\r\n<meta property=\"og:title\" content=\"Douglas Messerli | \u201cThe Moment Before They Became History\u201d (on Charles Garabedian\u2019s Sacrifice for the Fleet) - L.A. Louver - Journal\" \/>\r\n<meta property=\"og:description\" content=\"Charles Garabedian \u2013 7 October - 8 November, 2015 Writer Douglas Masserli recently reviewed the Garabedian show in his blog ART L\u00e0-bas. 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