{"id":577,"date":"2015-10-20T23:18:43","date_gmt":"2015-10-20T23:18:43","guid":{"rendered":"https:\/\/www.lalouver.com\/journal\/index.php\/2015\/10\/20\/the-painting-atop-olympus-shows-five-figures\/"},"modified":"2025-09-03T23:42:02","modified_gmt":"2025-09-03T23:42:02","slug":"the-painting-atop-olympus-shows-five-figures","status":"publish","type":"post","link":"https:\/\/www.lalouver.com\/journal\/the-painting-atop-olympus-shows-five-figures","title":{"rendered":"Tune in to tonight\u2019s broadcast of KCRW\u2019s Art Talk with Edward Goldman"},"content":{"rendered":"\n<figure class=\"wp-block-gallery has-nested-images columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;69d34fd5ecab2&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"69d34fd5ecab2\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1236\" height=\"969\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"578\" src=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/10\/tumblr_nwjkr7WIpz1r7s5hko1_1280.jpg\" alt=\"\" class=\"wp-image-578\" srcset=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/10\/tumblr_nwjkr7WIpz1r7s5hko1_1280.jpg 1236w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/10\/tumblr_nwjkr7WIpz1r7s5hko1_1280-300x235.jpg 300w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/10\/tumblr_nwjkr7WIpz1r7s5hko1_1280-1024x803.jpg 1024w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/10\/tumblr_nwjkr7WIpz1r7s5hko1_1280-768x602.jpg 768w\" sizes=\"auto, (max-width: 1236px) 100vw, 1236px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Enlarge\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"state.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/figure>\n\n\n\n<p>\u201cThe painting, <i>Atop Olympus<\/i>, shows five figures \u2013\u2013 presumably Greek gods and goddesses. Four of them are naked, though it seems like the artist doesn\u2019t care to clearly distinguish their genders. At the center of the composition is a female figure, dressed in contemporary clothing and wearing mismatched shoes. Who is she? Why are her arms raised to the sky? Each of us would probably come up with different answers, and this is the mystery and irresistible attraction of Garabedian\u2019s art.\u201d<\/p>\n\n\n\n<p>Tune in to tonight\u2019s broadcast of <a href=\"http:\/\/www.kcrw.com\/news-culture\/shows\/art-talk\/naked-and-ugly-and-irresistible\">KCRW\u2019s Art Talk<\/a> with Edward Goldman for coverage on Charles Garabedian\u2019s current exhibition <i><a href=\"http:\/\/www.lalouver.com\/exhibition.cfm?tExhibition_id=1171\">Sacrifice for the Fleet<\/a><\/i>.<\/p>\n\n\n\n<p>On view at L.A. Louver through 7 November 2015.<\/p>\n\n\n\n<p>IMAGE:&nbsp;Charles Garabedian,&nbsp;<i>Atop Olympus<\/i>, 2015, oil on canvas, 53 \u00bc x 68 \u00bd in. (135.3 x 174 cm)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThe painting, Atop Olympus, shows five figures \u2013\u2013 presumably Greek gods and goddesses. Four of them are naked, though it seems like the artist doesn\u2019t care to clearly distinguish their genders. At the center of the composition is a female figure, dressed in contemporary clothing and wearing mismatched shoes. Who is she? Why are her [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":578,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[1],"tags":[167,293,295,15,75,294,9],"class_list":["post-577","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-uncategorized","tag-charles-garabedian","tag-greek","tag-kcrw","tag-l-a-louver","tag-los-angeles","tag-mt-olympus","tag-painting","post_format-post-format-gallery"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\r\n<title>Tune in to tonight\u2019s broadcast of KCRW\u2019s Art Talk with Edward Goldman - L.A. 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