{"id":552,"date":"2015-11-03T21:36:56","date_gmt":"2015-11-03T21:36:56","guid":{"rendered":"https:\/\/www.lalouver.com\/journal\/index.php\/2015\/11\/03\/in-spite-of-titles-that-take-us-back-to-ancient\/"},"modified":"2025-09-17T14:51:41","modified_gmt":"2025-09-17T21:51:41","slug":"in-spite-of-titles-that-take-us-back-to-ancient","status":"publish","type":"post","link":"https:\/\/www.lalouver.com\/journal\/in-spite-of-titles-that-take-us-back-to-ancient","title":{"rendered":"&#8220;Garabedian\u2019s paintings are populated by refugees&#8221; &#8211; David Pagel, Los Angeles Times"},"content":{"rendered":"\n<figure class=\"wp-block-gallery has-nested-images columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;69d2c00e55e27&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"69d2c00e55e27\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"634\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"553\" src=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/11\/tumblr_nx9ddkBuxU1r7s5hko1_1280-1024x634.jpg\" alt=\"\" class=\"wp-image-553\" srcset=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/11\/tumblr_nx9ddkBuxU1r7s5hko1_1280-1024x634.jpg 1024w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/11\/tumblr_nx9ddkBuxU1r7s5hko1_1280-300x186.jpg 300w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/11\/tumblr_nx9ddkBuxU1r7s5hko1_1280-768x476.jpg 768w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2015\/11\/tumblr_nx9ddkBuxU1r7s5hko1_1280.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Enlarge\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"state.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/figure>\n\n\n\n<p>In spite of titles that take us back to ancient Greek myths and Biblical stories, Charles Garabedian\u2019s paintings are populated by refugees \u2014 men, women and children so far out of their element that their various states of homelessness make being a fish out of water seem like a walk in the park.<\/p>\n\n\n\n<p>Every inch of every picture in Garabedian\u2019s magnificent exhibition at L.A. Louver screams \u201cout of place, out of step, out of whack\u201d along with \u201cout of joint, out of luck\u201d and in some cases \u201cout to lunch.\u201d Trauma, both physical and psychological, is the soil out of which Garabedian\u2019s pictures sprout, blossom and bear fruit.<\/p>\n\n\n\n<p>Tough judgments are integral to the 92-year-old artist\u2019s Realism. Unsentimental and bracing, Garabedian\u2019s drive to tell the truth is accompanied by his willingness to give fools ample rope. Humor suffuses his deliciously intimate murals, which leave no room for pity \u2014 self or otherwise.<\/p>\n\n\n\n<p>- David Pagel, Los Angeles Times<\/p>\n\n\n\n<p><b><a href=\"http:\/\/www.latimes.com\/entertainment\/arts\/la-et-cm-charles-garabedian-sacrifice-for-the-fleet-la-louver-20151027-story.html\">Read the complete L.A. Times review here.<\/a><\/b><\/p>\n\n\n\n<p><a href=\"http:\/\/lalouver.com\/exhibition.cfm?tExhibition_id=1171\">Charles Garabedian: <i>Sacrifice for the Flee<\/i>t<\/a> is now its final week and closes on Saturday, 7 November 2015.<\/p>\n\n\n\n<p>IMAGE: detail of&nbsp;<i>Sacrifice for the Fleet<\/i>, 2014, acrylic on paper<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In spite of titles that take us back to ancient Greek myths and Biblical stories, Charles Garabedian\u2019s paintings are populated by refugees \u2014 men, women and children so far out of their element that their various states of homelessness make being a fish out of water seem like a walk in the park. Every inch [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[1],"tags":[167,288,285,286,289,15,284,9,287,283,30],"class_list":["post-552","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-uncategorized","tag-charles-garabedian","tag-critic","tag-culture-monster","tag-david-pagel","tag-greek-tragedy","tag-l-a-louver","tag-l-a-times","tag-painting","tag-review","tag-sacrifice-for-the-fleet","tag-venice-beach","post_format-post-format-gallery"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\r\n<title>&quot;Garabedian\u2019s paintings are populated by refugees&quot; - David Pagel, Los Angeles Times - L.A. 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