{"id":2722,"date":"2012-04-02T16:37:00","date_gmt":"2012-04-02T16:37:00","guid":{"rendered":"https:\/\/www.lalouver.com\/journal\/index.php\/2012\/04\/02\/the-yin-and-yang-of-british-art\/"},"modified":"2025-09-05T00:23:19","modified_gmt":"2025-09-05T00:23:19","slug":"the-yin-and-yang-of-british-art","status":"publish","type":"post","link":"https:\/\/www.lalouver.com\/journal\/the-yin-and-yang-of-british-art","title":{"rendered":"The Yin and Yang of British Art"},"content":{"rendered":"\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;69d2e7e52aa6b&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"69d2e7e52aa6b\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1098\" height=\"550\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/04\/david-hockney-royal-academia-2012-bigger-picture-03.jpg\" alt=\"\" class=\"wp-image-4995\" srcset=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/04\/david-hockney-royal-academia-2012-bigger-picture-03.jpg 1098w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/04\/david-hockney-royal-academia-2012-bigger-picture-03-300x150.jpg 300w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/04\/david-hockney-royal-academia-2012-bigger-picture-03-768x385.jpg 768w\" sizes=\"auto, (max-width: 1098px) 100vw, 1098px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Enlarge\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"state.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">David Hockney \/ Woldgate Woods, 21, 23 &amp; 29 November 2006, 2006 \/ Oil on 6 canvases \/ 71 3\/4 x 144 in (182 x 366 cm) \/ Courtesy of the Artist<\/figcaption><\/figure>\n\n\n\n<p>By Richard C. Morais<\/p>\n\n\n\n<p>The moment you walk into the&nbsp;<a href=\"http:\/\/www.royalacademy.org.uk\/exhibitions\/hockney\/about-the-exhibition\/\">Royal Academy of Art\u2019s&nbsp;<\/a>exhibit of&nbsp;<a href=\"http:\/\/en.wikipedia.org\/wiki\/David_Hockney\">David Hockney&nbsp;<\/a>landscapes, you are greeted by&nbsp;<em>Three Trees near Thixendale<\/em>, four massive canvasses of Yorkshire fields dotted by a trinity of ancient trees, the same view painted over four seasons. The works take your breath away. This is the romantic view of bucolic England, that profound love of country that can be found in the best&nbsp;<a href=\"http:\/\/en.wikipedia.org\/wiki\/Powell_and_Pressburger\">Michael Powell and Emeric Pressburger<\/a>&nbsp;&nbsp;films of the 1940s.<\/p>\n\n\n\n<p>But a more fascinating and personal story emerges once you penetrate deeper into this major Hockney exhibition. The first landscapes found in the next room were painted by Hockney in his youth \u2013 such as<em>Bolton Junction, Eccleshill<\/em>, of 1956 \u2013 and recreate a drizzling, drab Britain out of bleak blues and gun-metal grays. These are not happy pictures.<\/p>\n\n\n\n<p>What follows immediately afterwards, however, are canvasses representing his years in American exile, where the colors of the American West penetrate Hockney and produce massively vibrant panoramas of the Grand Canyons. Colors explode over the canvasses like July 4<sup>th<\/sup>&nbsp;fireworks. The exhibit&nbsp;then follows his eventual return to Britain where he again paints the villages and woods of his Yorkshire childhood. It is these landscapes\u2014 essentially a 75 year-old man returning to the soil of his ancestors after years of Californian exile\u2014 that lie at the heart of this Royal Academy exhibit.<\/p>\n\n\n\n<p><a href=\"http:\/\/blogs.barrons.com\/penta\/2012\/03\/23\/the-yin-and-yang-of-british-art\/?mod=google_news_blog\" target=\"_blank\" rel=\"noreferrer noopener\">Read the rest of the post here<\/a><\/p>\n\n\n\n<p><strong>Don\u2019t miss out!&nbsp;<a href=\"http:\/\/www.lalouver.com\/html\/exhibition.cfm?tExhibition_id=687\" target=\"_blank\" rel=\"noreferrer noopener\">David Hockney RA: A Bigger Picture at the Royal Academy<\/a>&nbsp;- on view through April 9th.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Richard C. Morais The moment you walk into the&nbsp;Royal Academy of Art\u2019s&nbsp;exhibit of&nbsp;David Hockney&nbsp;landscapes, you are greeted by&nbsp;Three Trees near Thixendale, four massive canvasses of Yorkshire fields dotted by a trinity of ancient trees, the same view painted over four seasons. The works take your breath away. This is the romantic view of bucolic [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4995,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"link","meta":{"footnotes":""},"categories":[1],"tags":[1629,1177,1630,1571],"class_list":["post-2722","post","type-post","status-publish","format-link","has-post-thumbnail","hentry","category-uncategorized","tag-freud","tag-hockney","tag-national-portrait-gallery","tag-rahockney","post_format-post-format-link"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\r\n<title>The Yin and Yang of British Art - L.A. 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