{"id":2278,"date":"2012-10-20T01:24:00","date_gmt":"2012-10-20T01:24:00","guid":{"rendered":"https:\/\/www.lalouver.com\/journal\/index.php\/2012\/10\/20\/the-ozymandias-parade\/"},"modified":"2025-09-05T17:50:14","modified_gmt":"2025-09-05T17:50:14","slug":"the-ozymandias-parade","status":"publish","type":"post","link":"https:\/\/www.lalouver.com\/journal\/the-ozymandias-parade","title":{"rendered":"The Ozymandias Parade"},"content":{"rendered":"\n<p>As the Pace Gallery prepares to exhibit\u00a0Edward and Nancy Kienholz\u2019s sculpture T<em>he Ozymandias Parade<\/em>\u00a0in November, we are incredulous to find that this work is just as provocative, relevant and politically charged in the 2012 election year as when it was first debuted in 1985.\u00a0<\/p>\n\n\n\n<p>The work\u2019s timeless critique of power speaks to an international audience over a span of nearly three decades!<\/p>\n\n\n\n<figure class=\"wp-block-image size-full tmblr-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"646\" src=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-22.jpeg\" alt=\"\" class=\"wp-image-5762\" srcset=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-22.jpeg 500w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-22-232x300.jpeg 232w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<p>Edward &amp; Nancy Reddin Kienholz,&nbsp;<em>The Ozymandias Parade<\/em>, 1985,&nbsp;mixed media tableau<br>152 x 349 x 180 in (386.1 x 886.5 x 457.2&nbsp;cm)&nbsp;<\/p>\n\n\n\n<p>\u201cThe Ozymandias Parade\u201d was first exhibited on November 8, 1986- January 19, 1986 at the University of Washington\u2019s Henry Art Gallery in a group exhibition titled, \u201cNo! Contemporary American Dada.\u201d&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full tmblr-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"652\" src=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-21.jpeg\" alt=\"\" class=\"wp-image-5761\" srcset=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-21.jpeg 500w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-21-230x300.jpeg 230w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full tmblr-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"647\" src=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-20.jpeg\" alt=\"\" class=\"wp-image-5760\" srcset=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-20.jpeg 500w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-20-232x300.jpeg 232w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<p>Next, it was featured in a solo show&nbsp;<a href=\"http:\/\/www.lalouver.com\/html\/exhibition.cfm?tExhibition_id=171\">\u201cKienholz, the Ozymandias Parade.\u201d Portland Center for Visual Arts<\/a>&nbsp;22 May ,1985 - 29 June, 1986.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full tmblr-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"656\" src=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-19.jpeg\" alt=\"\" class=\"wp-image-5759\" srcset=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-19.jpeg 500w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-19-229x300.jpeg 229w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full tmblr-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"336\" src=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-18.jpeg\" alt=\"\" class=\"wp-image-5758\" srcset=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-18.jpeg 500w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-18-300x202.jpeg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<p>In 1989, &nbsp;The Ozymandias Parade made it\u2019s international debut in the exhibition,&nbsp;<a href=\"http:\/\/www.lalouver.com\/html\/exhibition.cfm?tExhibition_id=232\">\u201cEdward and Nancy Kienholz: From the 1980\u2019s,\u201d<\/a>&nbsp;Dusseldorf, Germany 23 March - 28 May 1989; and traveled to Museum Moderner Kunst, Vienna, Austria, 29 September - 2 November, 1989.&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-full tmblr-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"743\" src=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-17.jpeg\" alt=\"\" class=\"wp-image-5757\" srcset=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-17.jpeg 500w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-17-202x300.jpeg 202w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-full tmblr-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"652\" src=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-16.jpeg\" alt=\"\" class=\"wp-image-5755\" srcset=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-16.jpeg 500w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-16-230x300.jpeg 230w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<p>The piece was also on view in the exhibition&nbsp;<a href=\"http:\/\/www.lalouver.com\/html\/kienholz_60.html\">\u201cKienholz,\u201d&nbsp;<\/a>Baltic Centre for Contemporary Art, Gateshead, UK, 14 May - 19 August, 2005; and traveled to Museum of Contemporary Art, Sydney, Australia, 16 December - 5 March, 2005.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full tmblr-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"333\" src=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-15.jpeg\" alt=\"\" class=\"wp-image-5754\" srcset=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-15.jpeg 500w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/10\/image-15-300x200.jpeg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Most recently the work was featured in the exhibition \u201c<a href=\"http:\/\/www.lalouver.com\/html\/exhibition.cfm?tExhibition_id=689\">Kienholz: The Signs of the Times,\u201d<\/a>&nbsp;Schirn Kunsthalle, Frankfurt, Germany, 22 October, 2011 - 20 January, 2012; traveled to Museum Tinguely, Basel, Switzerland, 22 February -13 May, 2012.&nbsp;<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As the Pace Gallery prepares to exhibit\u00a0Edward and Nancy Kienholz\u2019s sculpture The Ozymandias Parade\u00a0in November, we are incredulous to find that this work is just as provocative, relevant and politically charged in the 2012 election year as when it was first debuted in 1985.\u00a0 The work\u2019s timeless critique of power speaks to an international audience [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5757,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[19,25,1311,57,1309,1310,24],"class_list":["post-2278","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-art","tag-assemblage","tag-international","tag-kienholz","tag-politic","tag-power","tag-sculpture"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\r\n<title>The Ozymandias Parade - L.A. 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