{"id":2007,"date":"2013-03-11T19:08:40","date_gmt":"2013-03-11T19:08:40","guid":{"rendered":"https:\/\/www.lalouver.com\/journal\/index.php\/2013\/03\/11\/enrique-martinez-celayas-exhibition-is-filled\/"},"modified":"2025-09-05T20:15:38","modified_gmt":"2025-09-05T20:15:38","slug":"enrique-martinez-celayas-exhibition-is-filled","status":"publish","type":"post","link":"https:\/\/www.lalouver.com\/journal\/enrique-martinez-celayas-exhibition-is-filled","title":{"rendered":"Celaya\u2019s exhibition is filled with dualities"},"content":{"rendered":"\n<figure class=\"wp-block-gallery has-nested-images columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"792\" height=\"1024\" data-id=\"2008\" src=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2013\/03\/tumblr_mjifugBUNp1r7s5hko1_1280-792x1024.jpg\" alt=\"\" class=\"wp-image-2008\" srcset=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2013\/03\/tumblr_mjifugBUNp1r7s5hko1_1280-792x1024.jpg 792w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2013\/03\/tumblr_mjifugBUNp1r7s5hko1_1280-232x300.jpg 232w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2013\/03\/tumblr_mjifugBUNp1r7s5hko1_1280-768x993.jpg 768w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2013\/03\/tumblr_mjifugBUNp1r7s5hko1_1280-1188x1536.jpg 1188w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2013\/03\/tumblr_mjifugBUNp1r7s5hko1_1280.jpg 1280w\" sizes=\"auto, (max-width: 792px) 100vw, 792px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>\u201c<a href=\"http:\/\/lalouver.com\/html\/exhibition.cfm?tExhibition_id=761\">[Enrique Mart\u00ednez] Celaya\u2019s exhibition<\/a> is filled with dualities. In the painting&nbsp;<em>The Tunnel and The Light (For the Ones Who Hope to Come Out)<\/em>, the darker interior space of the cave, replete with a cluster of dangling and sharply delineated icicles, gives way to a misty field of spring flowers, implying a relationship between the known landscape with the more sacred but brutal topography of the artist\u2019s own interior world. It\u2019s tempting to read this work as an image of rebirth or redemption, yet like the exhibition\u2019s title,&nbsp;<em>The Hunt\u2019s Will,<\/em>&nbsp;Celaya posits the simultaneity of life and death. Perhaps the \u2018hunt,\u2019 i.e. the journey through life, is autonomous as though it were a viable and traceable phenomenon that acts upon us and propels us forward.\u201d \u2013 Eve Wood<\/p>\n\n\n\n<p>Read Eve Wood\u2019s review of <a href=\"http:\/\/lalouver.com\/html\/exhibition.cfm?tExhibition_id=761\">Enrique Mart\u00ednez Celeya\u2019s most recent L.A. Louver <\/a>exhibition in the current issue of&nbsp;<a href=\"http:\/\/www.artillerymag.com\/mini-reviews\/entry.php?id=enrique-martinez-celaya-la-louver\">Artillery Magazine<\/a>.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201c[Enrique Mart\u00ednez] Celaya\u2019s exhibition is filled with dualities. In the painting&nbsp;The Tunnel and The Light (For the Ones Who Hope to Come Out), the darker interior space of the cave, replete with a cluster of dangling and sharply delineated icicles, gives way to a misty field of spring flowers, implying a relationship between the known [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2008,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[1],"tags":[1120,237,979,15,9],"class_list":["post-2007","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-uncategorized","tag-artillery-magazine","tag-enrique-martinez-celaya","tag-eve-wood","tag-l-a-louver","tag-painting","post_format-post-format-gallery"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\r\n<title>Celaya\u2019s exhibition is filled with dualities - L.A. 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