{"id":1289,"date":"2014-03-27T21:31:00","date_gmt":"2014-03-27T21:31:00","guid":{"rendered":"https:\/\/www.lalouver.com\/journal\/index.php\/2014\/03\/27\/in-1959-curator-and-critic-jules-langsner-brought\/"},"modified":"2025-09-07T00:39:55","modified_gmt":"2025-09-07T00:39:55","slug":"in-1959-curator-and-critic-jules-langsner-brought","status":"publish","type":"post","link":"https:\/\/www.lalouver.com\/journal\/in-1959-curator-and-critic-jules-langsner-brought","title":{"rendered":"In 1959, Jules Langsner brought together work Karl Benjamin, John McLaughlin, Frederick Hammersley and Lorser Feitelson"},"content":{"rendered":"\n<figure class=\"wp-block-gallery has-nested-images columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;69d2d0e08e6a5&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"69d2d0e08e6a5\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"759\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1290\" src=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2014\/03\/tumblr_n346g9k8lB1r7s5hko1_1280-759x1024.jpg\" alt=\"\" class=\"wp-image-1290\" srcset=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2014\/03\/tumblr_n346g9k8lB1r7s5hko1_1280-759x1024.jpg 759w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2014\/03\/tumblr_n346g9k8lB1r7s5hko1_1280-222x300.jpg 222w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2014\/03\/tumblr_n346g9k8lB1r7s5hko1_1280-768x1036.jpg 768w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2014\/03\/tumblr_n346g9k8lB1r7s5hko1_1280-1138x1536.jpg 1138w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2014\/03\/tumblr_n346g9k8lB1r7s5hko1_1280.jpg 1280w\" sizes=\"auto, (max-width: 759px) 100vw, 759px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Enlarge\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"state.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/figure>\n\n\n\n<p class=\"p1\">In 1959, curator and critic Jules Langsner brought together work by hard-edge painters Karl Benjamin, John McLaughlin, <a href=\"http:\/\/www.lalouver.com\/html\/hammersley_bio_40s.html\">Frederick Hammersley<\/a> and Lorser Feitelson in a historic exhibition at LACMA titled the \u201cFour Abstract Classacists.\u201d Frederick Hammersley shed light on the originations of the term \u201cabstract classicists\u201d in his oral history, commissioned by L.A. Louver in 2003 and conducted by Lawrence Weschler, Douglas Dreishpoon and Peter Goulds:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"p1\">\u201cWhen the four of us had the show in \u201959, we had meetings about what to call ourselves.&nbsp; And I was embarrassed.&nbsp; Well, it\u2019s embarrassing, what do you call yourself?&nbsp; Well, you have a job and it\u2019s called such and such.&nbsp; That\u2019s helpful\u2026&nbsp; So we had the meeting and it ended up we were going to call ourselves <em>Abstract Classicists<\/em>\u2026&nbsp; Rico&nbsp;[Lebrun] made a remark.&nbsp; \u201cA classic work is everything is revealed.&nbsp; A baroque is revealed, concealed.\u201d&nbsp; And I thought that\u2019s very interesting.&nbsp; Very Giottoish.&nbsp; Classic. &nbsp;Everything is up there.&nbsp; No shadows.\u201d \u2013 Frederick Hammersley<\/p>\n\n\n\n<p class=\"p1\">(extracted from the transcriptions by UCLA\u2019s Oral History Program)<\/p>\n<\/blockquote>\n\n\n\n<p class=\"p1\">See work by these 4 artists in a re-staging of this seminal exhibition at LACMA, on view through June 29.<a href=\"http:\/\/www.lacma.org\/art\/exhibition\/four-abstract-classicists\"> For more information and a selection of works on view, visit LACMA\u2019s website.<\/a><\/p>\n\n\n\n<p class=\"p1\">To learn about Hammersley\u2019s rich exhibition history at L.A. Louver,<a href=\"http:\/\/www.lalouver.com\/html\/then.cfm?searchText=frederick+hammersley&amp;searchButton=+Search+\"> visit our Gallery History (THEN) page for a complete listing of all his shows.<\/a><\/p>\n\n\n\n<p class=\"p1\">IMAGE: Jules Langser, Karl Benjamin, John McLaughlin, Frederick Hammersley, Lorser Feitelson, 1959, Frederick Hammersly: An Oral History, Volume 2<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 1959, curator and critic Jules Langsner brought together work by hard-edge painters Karl Benjamin, John McLaughlin, Frederick Hammersley and Lorser Feitelson in a historic exhibition at LACMA titled the \u201cFour Abstract Classacists.\u201d Frederick Hammersley shed light on the originations of the term \u201cabstract classicists\u201d in his oral history, commissioned by L.A. Louver in 2003 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1290,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[1],"tags":[808,194,806,807,805,114,804],"class_list":["post-1289","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-uncategorized","tag-abstract-classicists","tag-frederick-hammersley","tag-john-mclaughlin","tag-jules-langsner","tag-karl-benjamin","tag-lacma","tag-lorser-feitelson","post_format-post-format-gallery"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\r\n<title>In 1959, Jules Langsner brought together work Karl Benjamin, John McLaughlin, Frederick Hammersley and Lorser Feitelson - L.A. Louver - Journal<\/title>\r\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\r\n<link rel=\"canonical\" href=\"https:\/\/www.lalouver.com\/journal\/in-1959-curator-and-critic-jules-langsner-brought\" \/>\r\n<meta property=\"og:locale\" content=\"en_US\" \/>\r\n<meta property=\"og:type\" content=\"article\" \/>\r\n<meta property=\"og:title\" content=\"In 1959, Jules Langsner brought together work Karl Benjamin, John McLaughlin, Frederick Hammersley and Lorser Feitelson - L.A. 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