{"id":1001,"date":"2014-11-28T18:00:41","date_gmt":"2014-11-28T18:00:41","guid":{"rendered":"https:\/\/www.lalouver.com\/journal\/index.php\/2014\/11\/28\/in-heather-gwen-martins-paintings-the-interplay\/"},"modified":"2025-09-07T16:04:39","modified_gmt":"2025-09-07T16:04:39","slug":"in-heather-gwen-martins-paintings-the-interplay","status":"publish","type":"post","link":"https:\/\/www.lalouver.com\/journal\/in-heather-gwen-martins-paintings-the-interplay","title":{"rendered":"The interplay between shape and color veers between the obvious and the\u00a0attenuated"},"content":{"rendered":"\n<figure class=\"wp-block-gallery has-nested-images columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;69d2c2cccb6ee&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"69d2c2cccb6ee\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1002\" src=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2014\/11\/tumblr_nfodhjIXls1r7s5hko1_1280-684x1024.jpg\" alt=\"\" class=\"wp-image-1002\" srcset=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2014\/11\/tumblr_nfodhjIXls1r7s5hko1_1280-684x1024.jpg 684w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2014\/11\/tumblr_nfodhjIXls1r7s5hko1_1280-200x300.jpg 200w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2014\/11\/tumblr_nfodhjIXls1r7s5hko1_1280-768x1150.jpg 768w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2014\/11\/tumblr_nfodhjIXls1r7s5hko1_1280-1025x1536.jpg 1025w, https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2014\/11\/tumblr_nfodhjIXls1r7s5hko1_1280.jpg 1163w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Enlarge\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"state.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/figure>\n\n\n\n<p>In <a href=\"http:\/\/www.roguewaveprojects.com\/html\/rogue-wave-exhibition.cfm?tExhibition_id=1137\">Heather Gwen Martin<\/a>\u2019s paintings, the interplay between shape and color veers between the obvious (brilliant contrasting tones and resolute forms) and the&nbsp;attenuated (subtle shifts in hues and ephemeral calligraphic lines). However disparate, these contrasting approaches serve to&nbsp;inform one another. Prominent colors bring to focus subtle undertones that are almost imperceptible upon first glance, while&nbsp;supple traversing lines move the eye in and around suspended shapes.<\/p>\n\n\n\n<p>The nuanced subtleties of her paintings cannot be conveyed in photography, and must be experienced in person. Don\u2019t miss the last chance to see her paintings at L.A. Louver \u2013 her <a href=\"http:\/\/www.roguewaveprojects.com\/html\/rogue-wave-exhibition.cfm?tExhibition_id=1137\">exhibition<\/a> comes to an end on Saturday, November 29!<\/p>\n\n\n\n<p>IMAGE:&nbsp;Heather Gwen Martin,&nbsp;<em>Forward Pitch<\/em>, 2014,&nbsp;oil on linen,&nbsp;72 x 63 in. (182.9 x 160 cm)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Heather Gwen Martin\u2019s paintings, the interplay between shape and color veers between the obvious (brilliant contrasting tones and resolute forms) and the&nbsp;attenuated (subtle shifts in hues and ephemeral calligraphic lines). However disparate, these contrasting approaches serve to&nbsp;inform one another. Prominent colors bring to focus subtle undertones that are almost imperceptible upon first glance, while&nbsp;supple [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1002,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[1],"tags":[33,108,15,602,274],"class_list":["post-1001","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-uncategorized","tag-abstract","tag-heather-gwen-martin","tag-l-a-louver","tag-oil","tag-paintings","post_format-post-format-gallery"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\r\n<title>The interplay between shape and color veers between the obvious and the\u00a0attenuated - L.A. Louver - Journal<\/title>\r\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\r\n<link rel=\"canonical\" href=\"https:\/\/www.lalouver.com\/journal\/in-heather-gwen-martins-paintings-the-interplay\" \/>\r\n<meta property=\"og:locale\" content=\"en_US\" \/>\r\n<meta property=\"og:type\" content=\"article\" \/>\r\n<meta property=\"og:title\" content=\"The interplay between shape and color veers between the obvious and the\u00a0attenuated - L.A. Louver - Journal\" \/>\r\n<meta property=\"og:description\" content=\"In Heather Gwen Martin\u2019s paintings, the interplay between shape and color veers between the obvious (brilliant contrasting tones and resolute forms) and the&nbsp;attenuated (subtle shifts in hues and ephemeral calligraphic lines). However disparate, these contrasting approaches serve to&nbsp;inform one another. Prominent colors bring to focus subtle undertones that are almost imperceptible upon first glance, while&nbsp;supple [&hellip;]\" \/>\r\n<meta property=\"og:url\" content=\"https:\/\/www.lalouver.com\/journal\/in-heather-gwen-martins-paintings-the-interplay\" \/>\r\n<meta property=\"og:site_name\" content=\"L.A. Louver - Journal\" \/>\r\n<meta property=\"article:published_time\" content=\"2014-11-28T18:00:41+00:00\" \/>\r\n<meta property=\"article:modified_time\" content=\"2025-09-07T16:04:39+00:00\" \/>\r\n<meta property=\"og:image\" content=\"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2014\/11\/tumblr_nfodhjIXls1r7s5hko1_1280.jpg\" \/>\r\n\t<meta property=\"og:image:width\" content=\"1163\" \/>\r\n\t<meta property=\"og:image:height\" content=\"1742\" \/>\r\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\r\n<meta name=\"author\" content=\"L.A. 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