{"version":"1.0","provider_name":"L.A. Louver - Journal","provider_url":"https:\/\/www.lalouver.com\/journal","author_name":"L.A. Louver","author_url":"https:\/\/www.lalouver.com\/journal\/author\/50percentopacity","title":"From the Collection of Nancy Reddin Kienholz: Stephan von Heune\u2019s \"Tap Dancer\" - L.A. Louver - Journal","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"KYtJV8E8VS\"><a href=\"https:\/\/www.lalouver.com\/journal\/from-the-collection-of-nancy-reddin-kienholz\">From the Collection of Nancy Reddin Kienholz: Stephan von Heune\u2019s &#8220;Tap Dancer&#8221;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.lalouver.com\/journal\/from-the-collection-of-nancy-reddin-kienholz\/embed#?secret=KYtJV8E8VS\" width=\"600\" height=\"338\" title=\"&#8220;From the Collection of Nancy Reddin Kienholz: Stephan von Heune\u2019s &#8220;Tap Dancer&#8221;&#8221; &#8212; L.A. Louver - Journal\" data-secret=\"KYtJV8E8VS\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.lalouver.com\/journal\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2012\/06\/image-9.jpeg","thumbnail_width":500,"thumbnail_height":367,"description":"Follow Julie Wolfe, Associate Conservator at the Getty Museum, as she provides a behind-the-scenes look into the conservation process for Stephan von Huene\u2019s acoustical sculpture \u201cTap Dancer.\u201d Created in 1967, Nancy Reddin Kienholz lent the work from her collection to the Getty Museum for the exhibition&nbsp;Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1960-1970 [&hellip;]"}