{"version":"1.0","provider_name":"L.A. Louver - Journal","provider_url":"https:\/\/www.lalouver.com\/journal","author_name":"L.A. Louver","author_url":"https:\/\/www.lalouver.com\/journal\/author\/50percentopacity","title":"Kienholz\u2019s seminal tableau \u201cThe\u00a0Ozymandias Parade\u201d - L.A. Louver - Journal","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"KhiGGOAeg8\"><a href=\"https:\/\/www.lalouver.com\/journal\/ed-and-nancy-kienholzs-seminal-tableau\">Kienholz\u2019s seminal tableau \u201cThe\u00a0Ozymandias Parade\u201d<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.lalouver.com\/journal\/ed-and-nancy-kienholzs-seminal-tableau\/embed#?secret=KhiGGOAeg8\" width=\"600\" height=\"338\" title=\"&#8220;Kienholz\u2019s seminal tableau \u201cThe\u00a0Ozymandias Parade\u201d&#8221; &#8212; L.A. Louver - Journal\" data-secret=\"KhiGGOAeg8\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.lalouver.com\/journal\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2014\/09\/tumblr_nchcm02cXJ1r7s5hko1_1280.jpg","thumbnail_width":1168,"thumbnail_height":876,"description":"Ed and Nancy Kienholz\u2019s seminal tableau \u201cThe&nbsp;Ozymandias Parade\u201d takes center stage at this year\u2019s Gwangju Biennale in Korea \u2013 marking the 13th installation of this powerfully provocative work. Having first debuted at the Henry Art Gallery, Seattle in 1985, the tableau continues to resonate with the same vigor and relevance today as it did back [&hellip;]"}