{"version":"1.0","provider_name":"L.A. Louver - Journal","provider_url":"https:\/\/www.lalouver.com\/journal","author_name":"L.A. Louver","author_url":"https:\/\/www.lalouver.com\/journal\/author\/50percentopacity","title":"ARTFORUM:\u00a0MAY 2016 \u201cKienholz: Five Car Stud\u201d - L.A. Louver - Journal","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Xg37FPaIWz\"><a href=\"https:\/\/www.lalouver.com\/journal\/artforum-may-2016-kienholz-five-car-stud\">ARTFORUM:\u00a0MAY 2016 \u201cKienholz: Five Car Stud\u201d<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.lalouver.com\/journal\/artforum-may-2016-kienholz-five-car-stud\/embed#?secret=Xg37FPaIWz\" width=\"600\" height=\"338\" title=\"&#8220;ARTFORUM:\u00a0MAY 2016 \u201cKienholz: Five Car Stud\u201d&#8221; &#8212; L.A. Louver - Journal\" data-secret=\"Xg37FPaIWz\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.lalouver.com\/journal\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.lalouver.com\/journal\/wp-content\/uploads\/2016\/05\/tumblr_o6khtgidTk1r7s5hko1_1280.jpg","thumbnail_width":1280,"thumbnail_height":732,"description":"ARTFORUM:&nbsp;MAY 2016 \u201cKienholz: Five Car Stud\u201d FONDAZIONE PRADA | MILAN May 19 \u2013 December 31 2016 Curated by Germano Celant The work of Edward and Nancy Reddin Kienholz is by now so deeply ingrained in the contemporary art world\u2019s collective consciousness that it\u2019s easy to forget just how profoundly strange and unrelentingly thorny it is. [&hellip;]"}