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<oembed><version>1.0</version><provider_name>L.A. Louver - Journal</provider_name><provider_url>https://www.lalouver.com/journal</provider_url><author_name>L.A. Louver</author_name><author_url>https://www.lalouver.com/journal/author/50percentopacity</author_url><title>Kienholz&#x2019;s seminal tableau &#x201C;The&#xA0;Ozymandias Parade&#x201D; - L.A. Louver - Journal</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="83zGt0XjPq"&gt;&lt;a href="https://www.lalouver.com/journal/ed-and-nancy-kienholzs-seminal-tableau"&gt;Kienholz&#x2019;s seminal tableau &#x201C;The&#xA0;Ozymandias Parade&#x201D;&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.lalouver.com/journal/ed-and-nancy-kienholzs-seminal-tableau/embed#?secret=83zGt0XjPq" width="600" height="338" title="&#x201C;Kienholz&#x2019;s seminal tableau &#x201C;The&#xA0;Ozymandias Parade&#x201D;&#x201D; &#x2014; L.A. Louver - Journal" data-secret="83zGt0XjPq" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><thumbnail_url>https://www.lalouver.com/journal/wp-content/uploads/2014/09/tumblr_nchcm02cXJ1r7s5hko1_1280.jpg</thumbnail_url><thumbnail_width>1168</thumbnail_width><thumbnail_height>876</thumbnail_height><description>Ed and Nancy Kienholz&#x2019;s seminal tableau &#x201C;The&nbsp;Ozymandias Parade&#x201D; takes center stage at this year&#x2019;s Gwangju Biennale in Korea &#x2013; marking the 13th installation of this powerfully provocative work. Having first debuted at the Henry Art Gallery, Seattle in 1985, the tableau continues to resonate with the same vigor and relevance today as it did back [&hellip;]</description></oembed>
