The inspiration for Tom Wudl’s recent works (currently on view), stems from his extensive study of the Avatamsaka Sutra. Also known as the Flower Ornament Scripture, the sutra is a revered Buddhist text dating back to the first and second centuries AD.

Considered one of “the most colorful and dramatic rehearsals of Buddhist teachings,” the scripture describes the sublime imagery revealed to Buddha through a heightened state of enlightenment. Here’s a short excerpt from the translated texts:

“At one time the Buddha was in the lands of Magadha, in a state of purity, at the site of enlightenment, having just realized true awareness. The ground was solid and firm, made of diamond, adorned with exquisite jewel discs and myriad of precious flowers, with pure crystals. The ocean of characteristics of the various colors appeared over an infinite extent. There were banners of precious stones, constantly emitting shining light and producing beautiful sounds. Nest of myriad gems and garlands of exquisitely scented flowers hung all around. The finest jewels appeared simultaneously, raining inexhaustible quantities of gems and beautiful flowers all over the earth. There were rows of jewel trees, their branches and foliage lustrous and luxuriant. By the Buddha’s spiritual power, he caused all the adornments of this enlightenment site to be reflected therein." 

See how the Flower Ornament Scripture manifests in other works by Tom Wudl, his exhibition at L.A. Louver Reflections of the Flowerbank World ends this Saturday, October 5th.