Gallery exhibition
Tom Wudl
Installation photography, Tom Wudl, 17 November - 24 December 2005
Installation photography, Tom Wudl, 17 November - 24 December 2005
Installation photography, Tom Wudl, 17 November - 24 December 2005
Installation photography, Tom Wudl, 17 November - 24 December 2005
Associative Pluralities, 2005 / 
      acrylic on canvas with collage, pencil & gold leaf / 
      Unframed: 84 x 96 in. (213.4 x 243.8 cm)
Day to Day, 2005 / 
        collage & acrylic on canvas / 
        54 x 43 in. (137.2 x 109.2 cm) / 
        Private collection
Heartbreak, 2005 / 
      </span>acrylic on paper on wood panel  / 
      with gold leaf, pencil, encaustic and oil paint / 
      Unframed: 34 x 23 1/2 in. (86.4 x 59.7 cm) / 
      Private collection
The Modernist, 2005 / 
      oil on canvas  / 
      45 x 30 in. (114.3 x 76.2 cm) / 
      Private collection
Theater of Survival, 2002 - 04  / 
      gold leaf, egg tempera & oil paint  / 
      on rice paper on wood panel  / 
      11 x 8 in. (27.9 x 20.3 cm)  / 
      Private collection
Tom Wudl / 
The Memorist of Fire and Ice, 2005 / 
      acrylic on paper on wood panel with  / 
      pencil, encaustic and oil paint / 
      59 3/4 x 39 1/2 in. (151.8 x 100.3 cm)
Optico-Tactile Icon, 2005 / 
      acrylic, oil, encaustic and gold leaf on canvas / 
      Unframed: 19 1/4 x 24 1/8 in. (48.9 x 61.3 cm) / 
      Framed: 20 1/4 x 25 1/4 in. (51.4 x 64.1 cm) / 
      Private collection
Legend, 2005 / 
      pencil, charcoal, acrylic, gold leaf & silver leaf on paper / 
      Paper: 40 1/2 x 50 in. (102.9 x 127 cm) / 
      Framed: 52 3/4 x 43 3/8 in. (134 x 110.2 cm) / 
      Private collection
Person, 2004 / 
      mixed media & perforations on paper / 
      Paper: 69 1/2 x 45 in. (176.5 x 114.3 cm) / 
      Framed: 72 1/2 x 48 in. (184.2 x 121.9 cm)
The Song and Dance Man from  / 
      Rotterdam Cycles Into Watery  / 
      Dreams of Flesh and Paint, 2005 / 
      acrylic and perforations on paper / 
      Paper: 81 x 44 1/2 in. (205.7 x 113 cm) / 
      Framed: 83 3/8 x 47 3/8 in.  / 
      (211.8 x 120.3 cm) / 
      Private collection
Still Life with Propagating Pluralities, 2004  / 
      acrylic and perforations on paper / 
      Paper: 76 x 55 3/8 in. (193 x 140.7 cm) / 
      Framed: 78 3/4 x 58 1/4 in. (200 x 148 cm) / 
      Private collection
Open Infinity, 2003 / 
      acrylic and perforations on paper / 
      Paper: 67 1/4 x 41 in. (170.8 x 104.1 cm) / 
      Framed: 70 1/4 x 44 in. (178.4 x 111.8 cm) / 
      Private collection
Study for Still Life Propagating Pluralities, 2003 / 
      pencil on paper / 
      Paper: 5 3/4 x 4 in. (12.7 x 10.2 cm) / 
      Framed: 20 1/2 x 16 1/2 in. (52.1 x 41.9 cm) / 
      Private collection
Study #1 for the Modernist, 2003 / 
      pencil on paper / 
      Paper: 5 3/4 x 4 in. (12.7 x 10.2 cm) / 
      Framed: 20 1/2 x 16 1/2 in. (52.1 x 41.9 cm)
Study #2 for The Modernist, 2003 / 
      pencil on paper / 
      Paper: 5 3/4 x 4 in. (14.6 x 10.2 cm) / 
      Framed: 20 1/2 x 16 1/2 in. (52.1 x 41.9 cm)
Untitled, 2003 / 
      ink on paper / 
      Paper: 5 3/4 x 4 in. (12.7 x 10.2 cm) / 
      Framed: 20 1/2 x 16 1/2 in. (52.1 x 41.9 cm)
Study for The Gift, 2004 / 
        mixed media and perforations on paper / 
        Paper: 39 x 50 3/4 in. (99.1 x 128.9 cm) / 
        Framed: 45 1/2 x 57 1/8 in. (115.6 x 145.1 cm) / 
        Private collection
The Gift, 2005 / 
      pencil, charcoal, acrylic and gold leaf on paper / 
      Unframed: 163 1/4 x 236 in. (414.7 x 599.4 cm)
17 Nov - 24 Dec 2005

artist profile

press release


SELECTED ARTICLE
Pagel, David. "Collage practiced on theatrical scale."
Los Angeles Times, 16 December 2005.
full article, PDF
This exhibition represents a significant departure in Wudl’s art, with evidence of abstraction throughout the new work. Representational elements continue to be present, but are confined to the renderings of a limited number of icons. These icons include pips, eyes, flowers and the figures of Stan Laurel and Oliver Hardy – all of which are introduced to us in Legend, 2005. This work serves as a map to the characters in the exhibition. If Legend offers the viewer the possibilities of what she may encounter in this exhibition, then the large acrylic and collage on canvas entitled Associative Pluralities, 2005 encapsulates Wudl’s intent. Two large eyes dominate the central area of the canvas; abstract square forms appear throughout the composition, sometimes patterned by complex renditions of clubs and spade pips of varying scale. Gold leaf (a long-held favorite material of the artist) is used sparingly to create dramatic resonance against an enigmatic grey background that is shot through with swirling lines. Wudl’s stated aim is for those spontaneous gestures, together with the defined elements of the canvas, to be seen as a “protean repository from which any and all images might be created.”