Gallery exhibition
Rebecca Campbell
Crush
Installation photography / 
Rebecca Campbell: Crush / 
9 September - 8 October 2005
Installation photography / 
Rebecca Campbell: Crush / 
9 September - 8 October 2005
Installation photography / 
Rebecca Campbell: Crush / 
9 September - 8 October 2005
Rebecca Campbell / 
Did You Happen To See The Most / 
Beautiful Girl In The World, 2005 / 
      oil on canvas / 
      84 x 72 in. (213.4 x 182.9 cm) / 
      Private collection
Rebecca Campbell / 
Salt Palace, 2005 / 
      oil on canvas / 
      96 x 144 in. (243.8 x 365.8 cm) / 
      Private collection
Rebecca Campbell / 
Wallflower, 2005 / 
      oil on canvas / 
      96 x 60 in. (243.6 x 152.4 cm) / 
      Private collection
Rebecca Campbell / 
American Fork, 2005 / 
      oil on canvas / 
      8 x 12 1/2 feet (20.3 x 31.8 meters) / 
      Private collection
Rebecca Campbell / 
Tree Tattoo, 2005 / 
      oil on canvas / 
      48 x 30 in (121.9 x 76.2 cm) / 
      Private collection
Rebecca Campbell / 
Blue Eyes, Black Hair, 2005 / 
      Oil on canvas / 
      84 x 96 in. (213.4 x 243.8 cm) / 
      Private collection
Rebecca Campbell / 
Unwritten: Willie, 2004 / 
      oil on canvas / 
      48 x 48 in. (121.9 x 121.9 cm) / 
      Private collection
Rebecca Campbell / 
Unwritten: CJ, 2004 / 
      oil on canvas / 
      48 x 48 in. (121.9 x 121.9 cm) / 
      Private collection
Rebecca Campbell / 
Unwritten: Kai, 2004 / 
      oil on canvas / 
      48 x 48 in. (121.9 x 121.9 cm) / 
      Private collection
Rebecca Campbell / 
Unwritten: Dylan, 2004 / 
      oil on canvas / 
      48 x 48 in. (121.9 x 121.9 cm) / 
      Private collection
Rebecca Campbell / 
Unwritten: Hadley, 2004 / 
      oil on canvas / 
      48 x 48 in. (121.9 x 121.9 cm) / 
      Private collection
9 Sep - 8 Oct 2005

artist profile

press release
L.A. Louver is pleased to present new paintings by Los Angeles-based artist Rebecca Campbell.

Mystery and drama lie at the heart of Campbell’s paintings. These are haunting works that fuse representation with abstraction, and narrative with the nostalgic sublime.

Campbell draws inspiration from her life experiences, and specifically, memories of her childhood and adolescence growing up in Salt Lake City, Utah. Campbell develops her ideas by taking photographs of staged subjects, which she then proceeds to render as drawings or small oil studies before addressing larger canvases.