Rogue Wave '05
19 Artists from Los Angeles
30 June - 3 September 2005
Tetsuji Aono, B & T,
Tanya Batura, Whitney Bedford, Mark Bradford, Tomory Dodge,
Drew Dominick, Karl Haendel, Sean Higgins, Evan Holloway,
Violet Hopkins, Nathan Mabry, Kelly McLane, Rodney McMillian,
Jessica Minckley, Christopher Pate, Lucas Reiner, Mindy
Shapero, Joe Sola
An 80-page, full-color catalogue documenting
Rogue Wave '05 and Rogue Wave '01 is available.
Selected Article
Pagel, David. "Summer sampler has a dark side" Los Angeles
Times, 8 July, 2005, E26.
(click
to read the full article)
Previous Rogue Wave
exhibitions at LA Louver
Rogue Wave ’01
Eleven Artists from Los Angeles
29 June – 1 September 2001
Rogue
Wave '07
12 Artists from Los Angeles
28 June - 18 August 2007
Rogue
Wave Catalogue
Rogue Wave ’05
Nineteen Artists from Los Angeles
30 June – 3 September 2005
Rogue Wave ’01
Eleven Artists from Los Angeles
29 June – 1 September 2001
Introduction by Peter Goulds
One of the most prevalent questions asked of an art dealer is “How
do you find new artists?” “By keeping our eyes, and ears,
close to the ground,” is my usual reply. “Art dealers see,
with their ears.” This remark would suggest the presence of street
traffic or a bustling central meeting place, neither of which exists
in Los Angeles – unless you bring attention to your own activity.
In 1972, I was invited to teach at UCLA as a visiting lecturer in the
Design area of the Art Department. Coming from England and a student
life with access to the great collections of the United Kingdom and Europe,
one fascination for me was: Given the absence of readily available historical
models, how does a student or practicing artist in Los Angeles fuel their
studio process? In spite of the developing presence since that time of
the Getty, MOCA, Norton Simon, LACMA, the Hammer and others, I believe
that a Rabelaisian iconoclastic spirit, pervasive in Los Angeles, remains
in place, leaving people alone to sink or swim, or at least be themselves.
In the summer of 1975, L.A. Louver Gallery was formed with the goal of
developing an international exhibition program to be presented in Venice,
California. Since opening, L.A. Louver has organized, in Los Angeles,
New York and at various international art fairs, 429 exhibitions and
performances, representing artists from Los Angeles and throughout the
United States, Central Europe, Scandinavia, Italy, Spain, United Kingdom,
Australia, South America and Japan. We have also mounted exhibitions
of a more historical nature in order to contextualize the range of our
interests related to individual artists. As the recognition of work by
the artists we represent has grown in stature, L.A. Louver has developed
an international reputation with other colleagues, museum directors,
curators, writers and collectors alike. In this way we have ironically
become part of the Los Angeles art establishment. Not a particularly
comfortable place for someone who, in the ’60s, considered himself
to be part of the student revolutionary movement!
Hopefully, in this process of becoming “recognized,” we have
never lost our sense of curiosity. I have admired the efforts of independent
curators, often artists themselves, who have taken time to reflect upon
the work being made in their community, and have accordingly presented
their interests in the form of exhibitions, hosted in private homes and
other unconventional spaces appropriated for the occasion. Our Chief
Preparator at L.A. Louver, Christopher Pate, is also an artist, and one
who has successfully adopted this curatorial mantel on several occasions
throughout our long association. At the start of this millennium, I invited
Chris to co-author an exhibition program at L.A. Louver which intended
to reflect upon the emerging artists of Los Angeles. For this project,
it was important to me that we stay open, and not be influenced by age,
creed or gender, medium, experience, exhibition history or, by way of
contradicting my opening maxim to this introduction, word of mouth! Chris
Pate and I set out to research our subject, and in putting this program
together, reviewed works by over 108 artists and made 36 studio visits.
This process has been a privilege. I would like to thank all of the artists
who made themselves and their work available; all of you have been very
involved, and for this I am deeply appreciative.
Thus, Rogue Wave* was born, in the summer of 2001. It is now with great
pleasure that we present Rogue Wave ’05.
Peter Goulds, 27 May 2005
* rogue wave n. An unpredictable, abnormally
large wave that occurs on a seemingly random basis in the
oceans.
|