Dome Edition Dusseldorf edition of 300
|
|
Drawing for the Middle Islands No. 2
|
|
T.A.S.D. #1 (The Art Show Drawing)
|
|
Drawing for the Commercial No. 3
|
|
Still Live
|
|
Drawing for the Art Show (Family)
|
|
Drawing for the Art Show (Family)
|
Drawing for the Art Show (Family)
|
|
Drawing for the Art Show (Family)
|
|
H.I.D. #8
|
|
Kurs A (H.I.D.)
|
|
Kurs B (H.I.D.)
|
|
White Easel with Machine Pistol
|
|
The Bouquet
|
|
The Kitchen Table
|
|
Death Watch
|
|
The Returning
|
|
Somewhere a Different Drummer
|
|
The Fountain
(from the White Easel Series)
|
|
White Easel with Face
|
|
White Easel with Wooden Hand
|
|
The Opti-Can Royale,
edition of 55
|
|
Billionaire
|
|
A One
|
|
The Rhinestone Beaver Peep Show Triptych
|
|
The Block Head
edition of 75
|
|
Bout Round Eleven
|
|
Drawing for Still Live
|
|
The Model
|
|
The Ozymandias Parade
|
|
The Caddy Court
|
|
Showing it Hard at the Summit
|
|
The Hoerengracht
|
|
Drawing for the Hoerengracht No. 5
|
|
Drawing for the Hoerengracht No.
7
|
|
Drawing for the Hoerengracht No.
8
|
|
Drawing for the Hoerengracht No. 9
|
|
Drawing for the Hoerengracht No.
10
|
|
Drawing for the Hoerengracht No.
11
|
|
Drawing for the Hoerengracht No. 12
|
|
Double Cross
(Iran Contra Text)
edition of 35
|
|
The Big Double Cross
|
|
Another Ida
|
The Morning Walk
|
|
Still Dead
End Dead No. I
|
|
Still Dead End Dead II
|
|
The Cost
|
|
The Potlach
|
|
Fast Walking Through Sparrows
|
|
People Holding Bound Ducks
|
|
Belly, The Kid
|
|
Berlin Volksempfanger
|
|
To Mourn a Dead Horse
|
|
Trade Watercolors
|
|
Bronze Bound Duck edition of 2
|
|
Man Holding Bound Duck
(Bound Duck Original)
|
|
The Bear Chair
|
|
My Country 'Tis Of Thee
|
|
The Merry-Go-World or Begat By Chance and the
Wonder Horse Trigger
|
|
Angel Monoseries
|
|
Abu-ben Monoseries
|
|
Carmen Monoseries
|
|
Elle Monoseries
|
|
Dwowd Monoseries
|
|
Tank Monoseries
|
|
Methenge Monoseries
|
|
Yip Monoseries
|
|
Drawing from Angel
|
|
Drawing from Methenge #1
|
|
Drawing from Carmen #2
|
|
Drawing from Elle
|
|
Prototype for Angel #1
|
|
Prototype for Dwowd #1
|
|
Prototype for Yip #1
|
|
Prototype for Elle #1
|
|
Prototype for Abu-Ben #1
|
|
Prototype for Carmen #1
|
|
Prototype for Methenge #1
|
|
The Choice
|
|
For $989.00
|
|
Useful Art No. 3 (table & chairs)
|
|
Surely Shirley
|
|
Chicken Little
|
|
God's In His Heaven - All's Right With The World
|
|
Hooverman
|
|
The Pool Hall
|
|
Baby Brother
|
|
Feeding the Hog
|
|
76 J.C.s Led the Big Charade
|
|
The Newses
|
|
J.C. #20
(additional works available)
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Watercolors
“With the Watercolors
Kiehholz contrived a system of currency, as he termed it,
whereby the work was sold for the amount hand painted on
the framed sheet of paper or bartered for the items small
and large stenciled on the sheet. The Watercolors were a
grand spoof on the value of the artist’s name in the
marketplace; all the buyer actually received was a sheet
of paper good for the amount or item Kienholz painted on
it, simply because he and the artist agreed it should be
so.”
Quote by Robert L. Pincus taken from “On a Scale that Competes with
the World: the Art of Edward and Nancy Reddin Kienholz.” University
of California Press, Berkeley, 1990, p. 56.
Please note: The trade
watercolors depicted above are representative images only.
The actual works available include the following, dated 1990:
For $487, For $489, For $490, For $491, For $492, For $494,
For $495, For $496, For $528, For $529, For $530, For $531,
For $532, For $533, For $534, For $535, For $536, For $537,
and For $538. |
|
|
|
|
|
|
|
 |
 |
Installation Photography,
Kienholz
BALTIC Centre for Contemporary Art
14 May – 29 August, 2005 >>
|
|
|
Mono-series, drawings and prototypes >>
"Each 'drawing' reflects upon
one of the eight environments contained in the interior
of the 'Merry-Go-World or Begate by Chance and the
Wonder Horse Trigger'. These works are fully developed
three-dimensional paintings made during the course
of construction the tableaux, 'Merry-Go-World'. In
response to an offer from Gemini G.E.L., the Kienholzes
considered making and edition based on the carousel.
However, sensing the complexity of such and undertaking
in three dimensions, they declined the offer and instead
made a series of unique pieces. The fabrication of
these works was accomplished in their studios in Berlin
and Idaho. The results are the 'mono-series', so named
as they are not editions of identical works, of eight
images which also relate to the interior of the 'Merry-Go-World'."
Quote by Peter Goulds, October 1992,
taken from the Foreword from
"Ed
and Nancy Reddin Kienholz, The Merry-Go-World or
Begat By Chance and The Wonder Horse Trigger."
L.A. Louver, Venice, CA, 1992, p. 3. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
